It’s autumn at ‘The Fresh Air-boretum.’ A miniature forest of gold and brown air fresheners is situated over model terrain, sprawled over a massive wooden platform and roped off at an appropriate distance. The smell fills the silo that houses them. It’s sharp and chemical, foremost, with hints of pumpkin spice, cinnamon, and coffee, maybe. It’s impossible to smell anything else- not even the small preview of winter tucked away in a corner, supposedly pine and spearmint.
Hector wants nothing to do with it. He wants nothing to do with the masks we’re offered at the front to protect our sinuses. The woman there offers to watch him in his kennel.
‘The Fresh Air-boretum’ doubles as an air freshener museum so I leave a bag of carrots and try to hold my breath long enough to take in a little history.
‘Ignore what ‘The Fresh Air-boretum’ says about itself. It’s all likely true but it’s all ‘financial hardships’ and ‘one man’s dream’ and ‘a journey to restore a sense of smell.’ These cliché origin factoids conveniently skip the fact that, until 2011, ‘The Fresh Air-boretum’ concealed the legs of its exhibits with curtains and in March of that same year a janitor followed a trail of ants and discovered that a serial killer (or many serial killers) had been depositing the bodies of their victims underneath said tables. For years. Police pulled 23 bodies from the silo that day and no arrests were ever made.
The dead make for fertile earth, reader. No forest grows without the dead.’
I get most of the way through the ‘The Fresh Air-boretum’ before I give in to the urge to look under the platform. There is a body right there, right at my feet, and I scrabble backward, slam my head on the opposite wall. The air freshener forest sways gently as I realize the body is only a cut-out- a black silhouette with three words painted in white: ‘Thanks for coming!’
-traveler
